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 Germans have not forgotten the past, but some of them find dealing with it difficult: Memorial to the Murdered Jews of Europe in central Berlin.
The debate over Günter Grass’ poem again lays bare Germans’ troubled relationship with Israel, Jews and their own history – By Peter H. Koepf
He wanted to remain silent no longer, he wrote, and that he was weary of
the “West’s hypocrisy.” Germany, itself burdened by history, could not
be permitted to become a “subcontractor for a crime.” Thus spoke Günter
Grass. The nuclear arms power Israel threatens world peace and wants to
exterminate the Iranian nation. Because Germany is to deliver another
submarine to an Israel “specialized in directing all-obliterating
warheads toward an area in which not a single atom bomb has been proven
to exist,” the Nobel Literature laureate (The Tin Drum) felt compelled
to say “what must be said.”
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 Heimat can mean many things to the Germans. Even traditional clichés no longer seem to cause embarrassment – as long as they are presented with the right degree of irony.
In an era of globalization, Germans are rediscovering a fondness for something called “heimat” – By Christine Schulz
When Germany danced under a mass of black-red-and-gold flags during the
soccer World Cup six years ago, some home commentators feared that the
hosts’ enthusiasm could spill over into something akin to nationalism.
But the euphoria may simply have been the first spark reigniting a love
for what the Germans call “heimat,” or homeland. This new love is
omnipresent, but it has nothing to do with patriotism or even national
pride, despite the efforts of some populist politicians to exploit it.
While “Der Spiegel,” the nation’s primary political medium since the
early days of the Federal Republic, recently felt it necessary to
justify the decision to run a title story on the subject of heimat,
ordinary Germans have long since – and at long last – begun to engage
with their new-found yearning.
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 The new Libeskind extension breaks up the neo-classical facade of the former military arsenal in dramatic fashion.
The redesigned Bundeswehr Military History Museum in Dresden is almost an anti-war museum – By Klaus Grimberg
A silvery triangle protrudes from the neo-classical facade of the former
military arsenal, erected between 1873 and 1876. It is the conspicuous
tip of a massive wedge driven into the building by the architect Daniel
Libeskind. The rigid order of the building is disrupted. Outside as well
as inside the museum, this contorted, tilted extension forms a sharp
contrast to the precise symmetry of the Wilhelmine edifice.
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 “Old Fritz,” as Frederick was affectionately known, always had time to listen to the concerns of his subjects – as Adolph Menzel’s painting “The Petition (Out on a Ride),” 1849 depicts.
On the 300th birthday of the great Prussian king, finally a more rounded view – By Klaus Grimberg
Who was Frederick II of Prussia? A rebellious aesthete and
philosopher king? A coolly calculating powerbroker and successful
general? Or was he an inconsiderate egomaniac at heart, who became an
embittered misanthrope in old age? The answer is simple: Frederick,
known as “the Great” even before he died, was all of the above.
When Frederick ascended the throne on May 31, 1740, at the age of 28,
no one could have imagined the extent to which he would fundamentally
alter not only the state of Prussia but also the power structures of
Europe. In the history of Prussia, his name is primarily linked with the
conquest of Silesia. His bold attack on the Hapsburg province in
December 1740 set off a conflict that would lead to three wars and last
for more than 20 years.
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 A fairytale set in stone: Neuschwanstein Castle near Füssen in Germany’s Allgäu region.
The life and death of Ludwig II, King of Bavaria still fascinate – By Michael Winckler
He was the pop star of his day, a diva, the bird of paradise among the
rulers of Europe: Ludwig Otto Friedrich Wilhelm von Wittelsbach, better
known as Ludwig II, King of Bavaria (1845-1886). His eccentric life and
the mysterious circumstances surrounding his death are the stuff of
myth. The palaces he built, Neuschwanstein, Linderhof, and
Herrenchiemsee, earned him titles like “Fairy Tale King.”
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 The 2011 swimming world championships could hardly have gone worse for Britta Steffen. She’s hoping to turn things around at the Olympic Games in London.
Swimming star Britta Steffen is seeking to prove her worth and salvage her reputation at the London Olympics – By Frank Bachner
Britta Steffen’s face is already bright red. Her fitful breathing
sounds like air escaping from an inflated balloon. There’s nothing fun
about pull-ups. Let alone pull-ups in a weighted jacket. On her fourth
attempt, Britta Steffen manages to drag herself out of the water,
gasping.
Just an average day at Kienbaum, Germany’s best-known sports center.
But this is no children’s birthday party, it’s a training session for
the national swimming squad. A few meters away from the groaning Steffen
stands Norbert Warnatzsch, her coach. “In London, at the Olympic Games,
we’re going to go all out again. Britta plans to issue a sporting
reply,” he says.
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